Project in Process

Living With Fire: Adapting to a Changing World

This page is dynamic. I'll add more content and imagery, as the project progresses. 

In the summer of 2018, my hometown of Redding, CA was threatened by one of the earliest superfires that we now experience as commonplace. My mom was evacuated from her home for over a week wondering if a hotspot would occur or the winds would shift to bring the fire into the canyon behind her house. Soon after this fire made its mark on the land and while the community was still coping with the loss of homes and vegetation, the Camp Fire raged through the nearby Paradise community, becoming the deadliest fire in the region. Then In 2020, while we all sheltered in place awaiting the COVID vaccine, the skies in San Francisco, where I now live, turned an apocalyptic orange. The August Complex fire in Mendocino, the Glass Fire in Napa, and the CZU Lightning Complex fire in Santa Cruz enshrouded Northern California with smoke. Firefighters from other states and countries were deployed to help curtail the blazes while exhausted from a global phenomenon never seen in our modern era. My father was a firefighter long before these superfires entered our social consciousness, and I remember the toll fire season would take on him. Now fire season is extending to a longer part of the year and areas in the world that didn’t regularly see fires are now experiencing them. 

Why art with this topic? 

Art is a means for humans to come together and contemplate the world we share.  Click for more...

I’m personally and emotionally connected to this topic due to it being centered in the region I grew up in (and still frequently visit). Art is a way for me to connect with the world around me and through researching my topics I can begin to understand our collective challenges. I strive to create an interactive experience for others through art to unearth our human potential to find creative solutions. Additionally, I'll test the theory that through art we can bravely lean into spaces and have tough conversations around global and social issues such as that might otherwise be polarizing. 


This project will culminate in an immersive event with video, sculpture, and contemplative spaces. The series explores the California Carr Fire of 2018, the community I grew up in, and memories of my father as my main sources. Through the works, I'm surveying the impacts of fire on the land, the community, and the people who fight fires. 

Experimental Video and Documentary

This project includes a series of short videos–a mix of documentary interviews and experimental audio/visual textural pieces in collaboration with composer Jacques Desjardins. Each video will take on a different vantage point and speak to a transformation of what was before to what is now. Vantage points include the resilience and shifting textures of nature, evolving approaches to land management, the mental and emotional health of our communities in the face of disaster, and reenvisioning firefighters as self-actualized in the face of trauma–down from the hero’s pedestal.

Beyond Us

2023

Beyond Us is a short experimental documentary video created in collaboration with composer Jacques Desjardins. This video documents some of the changing landscapes in the Redding and Whiskeytown Lake, California regions affected by the 2018 Carr Fire. Set to an original score, the video journeys through the transformed landscape and captures the recovery in this drought-stricken region that is experiencing longer and hotter fire seasons. Voices of people who are connected with the area–a park ranger, a botanist, artists, and a snippet from President John F. Kennedy's dedication speech at the lake–set the stage for contemplating how humans are intricately connected to the environment we experience.

A Reimagined Forest: Metals and Mixed Media Sculpture

Forests are changing. First from fire suppression and now from untamed wildland fires reclaiming their right to exist in the mix of climate change and drought.  I take artifacts fromt he fire (burned wood and photographs of recovery) and create metal and wood sculptures to honor what was and imagine what will be.. The recycled copper wire in these pieces represent many elements of the fires including root fires, smoldering root systems that continue to burn (sometimes for years), fire resilient plant species that grow back vivaciously after the forest floor has been cleared and the tree density is lighter, and the human impact on nature.

Split Decision (2022)- Charred Wood and Utility Wire

As I was walking through a portion of the Carr Fire burn scar with my mom,  gathering burned wood for sculptures, a portion of a tree stood out to her.  She called me over, "How about this one?"  It was perfect. My mom had to make a split decision as to what to take in her go bag as the fire rushed over the hills towards her neighborhood.  

Symbiosis (2023)

A copper fern frond made from recycled utility wire and copper sheet wraps around a charred piece of Redwood I found in the 2020 Napa Glass fire burn scar. Ferns love growing under the cool canopy of redwood groves. The two species enjoy the same moist climate and they feed each other and are part of a luscious symbiotic ecosystem supported by the forest floor.

Wearable Totems - Forged in Fire

These jewelry sculptures are inspired by natures resiliance in the face of wildland fires. Photos on the left from my hikes through burn scars inspired the jewelry on the right.

Budding Fairy Ring

Redwoods send sprouts that are clones of themselves when they are damaged.  These trees grow from the base of the trunk and will turn into what is commonly called a fairy ring. 

2020 CZU Lightning Complex Fire - Santa Cruz Mountains.

The Fire Within

2023 - Sterling Silver and Carnelian

Inspired by fairy rings.

Tree With Webs

2020 CZU Lightning Complex Fire - Santa Cruz Mountains.  When you look close enough, you see what comes back first in the forest after the burn.

Tree With Webs Pendant

2023 - Sterling Sliver and Patina

Inspired by webs in burned trees.

Story Threads

Below are a few story threads for video work based on some of my preliminary interviews with community members. These are stories I hope to follow with some community footage and on-camera interviews.

Images And Video Coming Soon

Wellness in Firefighting

Firefighters are humans that come to this world with their own lived experiences and traumas. The profession adds even more trauma as they are faced with life-saving choices, choices that save their lives as well as the lives of others. I recently had a preliminary interview with a firefighter who has dealt with his own trauma and found that meditation, mindfulness, and cognitive therapy is key to building resilience in firefighters. Now teaching new recruits, he’s made mindfulness training and awareness an important part of the curriculum. Firefighting is a physically and mentally strenuous job. The public has traditionally seen firefighters as brave heroes. What would it mean to shift the narrative and see those doing this work as being humans and leaders in cultivating awareness and being first responders to their own trauma?

A New Rulebook for Living with Fire 

As I hold conversations with residents of the Redding area, I’m learning how people continue on with their lives after a collective event. The hillsides have changed as it takes years for conifers to come back to where they were before.  The Whiskeytown Lake in the National Recreation Area, referred to affectionately as “The Lake” when I grew up, has transformed with 95% of the park having burnt. The trauma is in the back of the minds of many. My mom has her go bag packed after the last rains come through. Vegetation is cleared back a number of yards from the property line and goats are deployed all over town to eat the “fuels” before the driest parts of the summer.  Yet, there are still many who don’t know how to live with fire, or know what they can do to mitigate the climate crises on an individual level. 

Good Fire, Plants as Medicines, and Revealing the Breadth of Wintu Territory

There are many native plant species that have been used as medicine by the Wintu tribe in Northern California such as elderberry and wormwood. In a preliminary phone interview with one of the Wintu representatives, I learned that one of the costs of the fire was the loss of these plants In speaking on-camera with a botanist studying the Whiskeytown Lake region’s recovery from the Carr fire, I have some clear descriptions of plants that are the most fire resilient and many include these medicinal plants.


Historically, the native peoples of the U.S. and Canada would use fire as ritual burns. In this Webinar by the Stanford Woods Institute, [Add Link] various indigenous land stewards speak about how fire was used as ritual, to aid in hunting, and to encourage medicinal plants to grow as their access to sun and earth would typically be overtaken by the tree canopy or other competing species.


Another discovery after the Carr Fire was that under the centuries-old brush were relics of Wintu villages. The discovery of these has shed light on a continued need to protect the artifacts and village sites of the native culture. Being able to share this discovery more widely poses other cultural questions about how populous this region was before the miners and settlers moved into the region and how the tribal council can continue to advocate for recognition.

Interactive Installation Exhibit